PARQUE ESPAÑA - ROSARIO - CUADRO

Después de un tiempo vuelvo a dibujar el Parque España...

Un cuadro para el cumpleaños de mi gran amigo Kelmen Muro.

EDIFICIO LA BOLA DE NIEVE - ROSARIO

Fue diseñado por el arquitecto francés Eduardo Le Monnier.

Rosario, provincia de Santa Fe, calles Córdoba y Laprida

Dibujando Recoleta

El Sábado 26 de Agosto los Urban Sketchers Argentina fuimos invitados a coordinar el evento “Dibujando Recoleta”, organizado por DyA Fest y Revista Summa+ en el marco de la Bienal Arquitectura de Buenos Aires BAXV.

La propuesta fue realizar un recorrido por el barrio sede de la Bienal. La caravana consistió en dibujar en 3 lugares destacados y con distintas consignas en cada uno a cargo de un coordinador.

La primer parada fue en la Biblioteca Nacional y estuvo a cargo de Bruno Sucurado. La consigna planteada por Bruno fue la de dibujar los elementos de servicio y/o accesorios que encontrasemos ahí, con la idea de descubrir nuevas miradas de los elementos que forman parte del espacio pero que generalmente están en un segundo plano. Se dibujaron faroles, rejas de ventilación, ventanas, kioscos de diarios, etc, etc.

La 2da parada fue en la escalinata de la Facultad de Derecho, a cargo de Silvia Portiansky. La consigna que nos dio Silvia fue la del uso del color como una propiedad de la forma. Nos propuso trabajar con el color -fuertemente ligado a los sentidos- como fundante del croquis, para expresar nuestra percepción de la ciudad que estamos recortando en el papel, a interpretar y escribir un discurso a partir de manchas en color con libre uso de materiales y herramientas.

La 3ra parada y para finalizar la jornada fue en el patio del Centro Cultural Recoleta. Estuvo a cargo de Norberto Dorantes y yo, y se basó en realizar una croquiseada en conjunto sobre una lamina de 15mts de largo. Tecnica libre. Fuimos 20 personas dibujando en simultáneo sobre el mismo soporte. La actividad fue muy divertida y llamó la atención de los visitantes del CCR. Rápidamente se juntó una gran cantidad de espectadores.

Queremos agradecer a Valeria Matayoshi y Summa+ por la invitación a desarrollar este evento libre y gratuito y por proveer de blocks de dibujo a los participantes y los sorteos de ediciones de revistas y libros al cierre del evento.

Recuerdos del Mundial 2014

5 de julio 2014 / 16hs , llovizna persistente

El Jesús inflable se bambolea... mueve las manos...mueve los brazos...parece que quiere abrazarte...y que se te viene encima... 12 metros de altura!...los argentinos que festejan el triunfo de Argentina contra Bélgica junto al Obelisco, giran a sus pies desplegando banderas y cantando "brasil, decí lo que se siente..."y se adelantan a festejar el triunfo de la selección argentina, derrotando a Brasil, en la disputa final por la copa 2014. Un cartel dice"no llueve, es Brasil que llora" y siguen los cánticos, los gritos "¡Ar-gen-tina, Ar-gen-tina!", las vuvuzelas y las bocinas... y cada vez mas gente llega al Obelisco.
Me pongo a tirar unas líneas...hace frío, la llovizna moja mi libreta..., pero quiero registrar esta imagen.

Técnica: microfibra negra- lapiz color libreta de dibujo pequeño formato

6to simposio internacional de urbansketchers: SINGAPORE

Se abrió la inscripción temprana para el:

The 6th International Urban Sketchers Symposium

Singapore. July 22-25, 2015

A dibujar en marzo: taller itinerante

About the workshops

The proposal consists of three modules or workshops to be held for 3 weekends.

Participants can choose to enroll in one of the modules or take the full course.

The course is designed to meet the basic needs of an urban artist.

The first and second module are basic for all participants, no previous experience is required. The third module is intended for artists with intermediate experience.

WORKSHOP M1

How to set a point of view
Location: Lincoln Road

March 27-29

Workshop description:

One of the biggest challenges in a sketch is the drawing's composition. The balance and harmony between shapes and objects are vital.

To achieve the harmonious composition we are looking for we need to know to establish interesting points of views.

The essence of the composition is that all parties should be in a particular place or position and play the role that corresponds favoring them all.

It is almost impossible to prescribe specific rules that allow someone to compose. However, there are simple laws that guide available for an artist manages to be able to create an interesting composition

We will develop the basics to create engaging and thoughtful compositions, starting with thumbnail type schemes. (Frame-work-­figure­-ground, composition and management, framing from the point of view, background vs foreground, an unusual point of view)

Learning goals:

• The participant can create harmonious compositions in their sketch
• Be able to know how to use the compositional tools and apply them to their drawings on location
• You can make sketch with novel and interesting points of view

Maximum number of participants: 35 (all levels of experience)

Minimum number of participants: 15 (Workshop is cancelled unless this number of participants signs up)

Supply list

We do not need a very sophisticated but only that with which you feel comfortable. Basically a feather ballpoint pen of ink, 2B, 4B and 8B pencils and a set of watercolors. Also colored pencils if you prefer

Sponsorship: Stillman & Birn One sketchbook (Gamma Series for all medias) per participant

WORKSHOP M2

How to draw entourage in watercolors
Location: South Beach (Beach side park- Art Deco)

April  3-5

Workshop description:

This module focuses on the art of watercolor and especially in working the organic aspect of urban sketch: vegetation, water, integrated into the city landscape, people and architecture style.

It is important to know how to build a sketch and make it alive by integrating the above organic elements. The cities are not empty, have life, color and energy. So we will work with watercolors and learn how to draw these elements quickly and conveniently.

On the other hand, develop exercises where we apply the technique of the 3 colors, creating interesting harmonies without having to record each color found on the site.

The location chosen consists of two components: the beach, the sea, with its palm trees characteristics, people and houses. And the urban area of Art Deco architecture its interesting to working the architecture style and details.

Learning goals:

• You can draw a sketch level organic elements in various techniques, especially watercolor
• You will be able to integrate these elements into an urban scene
• You can draw an urban scene from organic elements.
• Work on the basics of color and the intelligent use of pallets.
• You can draw architectural details using Art Decó like reference

Workshop location

South Beach (Beach side park- Art Deco)

Maximum number of participants: 35 (all levels of experience)

Minimum number of participants: 15 (Workshop is cancelled unless this number of participants signs up)

Supply list

We do not need a very sophisticated but only that with which you feel comfortable. Basically a feather ballpoint pen of ink, 2B, 4B and 8B pencils and

A good set of watercolors. Paper to watercolor, block or sketchbook. We need some extra paper to develop the first exercise. Brush for watercolor, 10 to 12.

WORKSHOP M3

How to draw with non waterproof ink and watercolors
Location: New World Symphony

April  10-12

Workshop description:

Pens with non-waterproof ink can be an interesting and essential to dominate when we do sketching. Often it is believed that we should use permanent ink before the watercolor, however, non-waterproof ink enhance the richness of the work and can create very interesting artistic effects.

BENEFITS:

• The line softens and avoids hardness and rigidity.

• Produce fluency and freshness in the drawings.

• When using fine-tipped pens can we control the outflow of ink and avoid losing our

• The tone of the ink (slightly purple, depending on the type of ink) creates a special

• We can simply use water to produce depth or contrast in our work without other

• We work with graphics (stripes and patterns) in combination with stains (water

• Can be used variety of ink colors (brown, blue, black) to recreate special

• This technique is recommended for stroke atmosphere when it makes contact with watercolor. color. touches or watercolor) atmospheres.

o quick sketches and expressive (only need pen and brush with water)

o Mid drawings preparation (when working with limited watercolor palette, using

between one and even three colors) and

o complex drawings (using a watercolor palette beyond)

Workshop location

New World Symphony (Frank Gehry)

Learning goals:

The Participants:

• Will acquire the skill to control the dynamic ink line when applying water or watercolor.

• Will use the dynamic ink to enhance the contrast and recreate the atmosphere of the site.

• Apply this technique in a quick sketch and ink with water only, the second using two or three colors and a third drawing more complex.

Maximun number of participants: 35 (intermedium of experience)

Minimum number of participants: 15 (Workshop is cancelled unless this number of participants signs up)

Supplie list

• Pen Rotring Art Pen F, Lamy F or similar.
• Ink black, brown or blue. (or all three)
• Paper notebook that supports watercolor, but with little roughness. Rather a  bit smoother. The Stillman & Birn sketchbook is especially functional for both ink and watercolor washes.
• Fibre Marker water supportable 0.1 and 0.2Brush water.
• Watercolors Set

Workshop Schedule M1, M2 and M3

DAY 1

Meeting point

General welcome, Introduction and groups and Presentation and first exercise 60 min

• Introduction, theory and demonstration of the technique 20 min
• Working indoor
• Exhibition, group feedback and final closure

Lunch

On location

• Introduction to the site. Historical and visual tour and Approach
• Theory and demonstration of the technique
• Exercise 1 and 2
• Exhibition, group feedback and final closure 15 min

DAY 2

Meeting point

General presentation. Explanation, How to draw.
Exercises
Lunch

On location

• Exercise 1, 2 and 3
• Feedback and expo

DAY 3

Meeting point

Theory and demonstration of the technique to the final day

On location

In location Exercise 1, 2 and 3

Meeting point

Final feedback and expo

Close 

Sponsorship: Stillman & Birn One sketchbook (Gamma Series for all medias) per participant in all of the 3 modules.

Registration fee: US$285 per module. Online registration or bank transfer.

If you prefer to do all of the Sketch-it-On: Miami workshops pay 2x1 (US$500 for 3 workshops)

Contact: c.cardenas@sketchiton.com

C. (561) 294 0798

Cancellation Policy:

All fees are fully refundable if cancelled prior to:

16 March 2015 (M1),23 March 2015(M2) and  30 March 2015(M3).

If you cancelled after:

16 March (M1), 23 March 2015 (M1), 30 March a $120.00 USD cancellation fee will be retained.

The event will take place with a minimum of 15 participants. In case of cancellation 100% of the payment made will be refunded.

About the instructor:

Mexican-born architect and educator currently teaching at the School of Architecture of the University of Buenos Aires. He is the founder and director of Taller Perspective, and also taught at the Society of Architects and other professional associations. He has taught in Mexico City, Lisbon-Portugal, Barcelona-Spain, Bogotá-Col, Santiago de Chile, Paraty-Brazil, Argentina and Singapure (july 2015)

Recently the Fundacio Enric Miralles invited him to collaborate with their academic interchange in the experimental workshops at 2014-15 in Barcelona, Spain and in the program of posgrado in the Faculty of Architecture in the UBA Buenos Aires, Argentina.
He specializes in the architecture design (analog-digital media) and concept drawings for the advertising industry.

Dorantes’ work has been recognized in several competitions in architecture and drawing. His works are in exhibited in Mexico, Spain, Portugal, Chile and Argentina.

“I have been professor since 1988. I taught perspective, watercolours and representation techniques at the National University of Mexico and in the University Motolinia Pedregal in Mexico city between 1988-1993 (out door and indoor classes).

At present my teaching experience is focused on the architectural projects in the University of Buenos Aires and drawing by hand, in societies of architects and in my own workshop Taller Perspectiva http://tallerperspectiva.blogspot.com/

I teach drawing on-site in courses and outdoor workshops, such "en plein air" (historical lecture and workshop drawings) http://www.wix.com/tallerperspectiva/enpleinair

In my workshops attended by professionals and students of architecture, interior design, set designers, publishers and artists in general”

Event coordinator:

Although Climaco Cardenas brings more than 25 years of Design experience in the fields of Architecture, Urban, Interior and production design to Sketch-it-on, his Postgraduate Studies in the University of Pennsylvania in Architecture and City Planning formed him as an urban scholar, researcher and thinker at heart.  Climaco states: “Cities and Urban settlements are the physical expressions of cultural, political, economic, environmental and artistic intentions, ambitions and desires of the human creative power over time. The City must be studied historically and experienced and detailed through observation, analysis and drawing.”

He will be responsible for the tour and historical information of the city and locations visited during the workshops. As well as facilitating all event details on the ground in Miami.

Climaco currently works in his own practice Metrika Design, located in Palm Beach Florida. An architecture and planning firm working in the residential, urban, commercial and event production space. In the past, Climaco worked for the City Planning Department of Bogota as assistant to the director and was consultant to the Local government of the City of Cota for an Industrial Zone. In working with the Coffee Federation in Colombia as Technical Coordinator he managed the Taller de las Americas for famed Barcelona architect Ricardo Bofill.

He is fluent in Spanish, English and Portuguese.